
What makes a great image? For the majority of people, when they look at a good shot, they don’t know why, but it’s visually appealing. It’s something that they can’t explain- They just like the shot. My wife is like that. I either get a ‘WOW!’, a ‘hmmm…’ or a ‘that’s terrible.’ There is hardly an explanation behind it. What separates a point and shoot photographer from a professional photographer is that a professional has mastered the appeal factor. They have mastered the fundamentals of photography and apply them without thought. Their camera is an extension of their body and thoughts flow freely from mind to camera. In this shot: the perfect centering of the ball, the dust flying, the equal positioning of the players, and the crispness of the shot make this a good image.What you don’t see: the backdrop enhances contrast. When you take a bright subject and position against a dark backdrop- POW! Colors come alive! When I shoot, I am always looking for a background where my subjects will stand out. The green in this shot does that. It turns a good shot into a great one!
To analyze this shot further I’ve extracted the Camera Data. ( In photoshop you can hold down the ‘Shift’+'Ctrl’+'Alt’+'I’ keys to see it)

From top to bottom: 1/4000 sec shutter- Their moving fast, but the ball is moving REALLY fast! To get a decently crisp ball, I shot with a very fast shutter.
F2.5 Aperture- I want the players to stand out against a sufficiently blurred backdrop. I want them in focus and the backdrop out of focus.
ISO 125- The lower the ISO the more vibrant the image straight out of the camera. The higher the ISO the more grain in the photo.
Now what to do? Lets look at sharpening:

Now these are not my sharpening settings- I can’t tell you everything. What I will tell you is that every digital image can benefit from a little UnMask Sharp (USM) or sharpening. Now you may believe that your images are perfect straight out of the camera. Well that’s because you’re letting your camera do the sharpening for you. I keep mine turned off to allow for more control in Photoshop. It’s like this, I would prefer to have an image with no sharpening than an image that has been sharpened since sharpening cannot be undone. It’s like those that shoot RAW vs those that use JPG. The battle can go either way, but it’s important that you know the difference- then you can make an educated choice on which method you’re going to use- in camera sharpening or post sharpening.
And finally, the level adjustment:
Levels are something that I’m always checking. That’s the beauty of digital, I can check to see if I’m shooting overexposed, underexposed or just right by looking at the histogram. Too far to the left (as you’re looking at screen) and the image is underexposed. Too far to the right, and I’m overexposing. A nice range of light will produce a histogram like you see above. Though I do have alot in the dark side and a spike in the light side, indicating a hotspot.
I hope you’ve found this short tutorial interesting. See you out there!
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